Install Pictures

Face to Face Install Pictures


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Artist Sasha Bowles answers a few questions

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SASHA BOWLES www.sashabowles.co.uk Can you describe your practice in a few words? My practice deals with illusion, interventions, metamorphosis and provosional structures. Starting with Old Masters my work is an evolving loop. I mischeiviously recontextualise reproductions of works to subvert and open up new interpretations and dialogues. Have you shown your work in a non-white cube space before? Yes many times, in a Crypt, a dilapidated delicatessan, a parking garage, a solicitors office and decaying houses. What does this sort of space bring to your work? It recontextualises the work. Does the environment in which you exhibit your work change how your work is percieved? Absolutely. The environment in which you exhibit becomes a part of the work and has to be taken into consideration in how you react to it and curate your work within it. To ignore the setting would be missing the point of using these sort of spaces. What was your first experience of Hackney? As a te...
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OPENING

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A big THANK YOU to everyone who made it to the opening of Face to Face. Here are a few photos from the exhibition Entrance with Sue Williams A'Court (Lady Di)  Sasha Bowles (Crate/Gallery) Mark Jackson (mercry(shroaded), living twice, Solhund) Corinna Spencer (Heart Face) Wendy Saunders (Untitled Double Painting, Head of a Woman) Sue Williams A'Court (Lady Hamilton, Lady in Blue, Asher Brown) Corinna Spencer (Mad by Mistake) Wendy Saunders (Untitled Head in 4 colours)  Sue Williams A'Court (Audrey) Sasha Bowles (Crate/Gallery) Exhibition continues until 2nd March Lubomirov/Angus-Hughes Gallery 26 Lower Clapton Road E5 0PD www.lubomirov-angus-hughes.com
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Artist Corinna Spencer answers a few questions

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CORINNA SPENCER www.corinnaspencer.com Can you describe your practice in a few words? I am a painter. My paintings are on paper or canvas, usually small but large in number and are of and about women, love, obsession and mourning. Have you shown your work in a non-white cube space before? Yes What does this sort of space bring to your work? In the past, when exhibiting my work in a non traditional gallery setting. I have a greater flexibility in the way my work has been installed, this often means I can show my work in unusual ways. Does the environment in which you exhibit your work change how your work is percieved? I think it can to some extent. For example a small painting framed on a white wall in a large space will seem different when placed among a hundred hanging directly from a ceiling. While a hundred paintings, unframed, in a group on a smooth white wall changes things again. Everything from the size of the space to the surface of the wall or the ...
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