OPENING


A big THANK YOU to everyone who made it to the opening of Face to Face.
Here are a few photos from the exhibition

Entrance with Sue Williams A'Court (Lady Di)

 Sasha Bowles (Crate/Gallery)


Mark Jackson (mercry(shroaded), living twice, Solhund) Corinna Spencer (Heart Face)

Wendy Saunders (Untitled Double Painting, Head of a Woman)

Sue Williams A'Court (Lady Hamilton, Lady in Blue, Asher Brown)
Corinna Spencer (Mad by Mistake)

Wendy Saunders (Untitled Head in 4 colours)  Sue Williams A'Court (Audrey)

Sasha Bowles (Crate/Gallery)

Exhibition continues until 2nd March

Lubomirov/Angus-Hughes Gallery
26 Lower Clapton Road E5 0PD
www.lubomirov-angus-hughes.com






Comments

Post a Comment

Popular posts from this blog

Artist Mark Jackson answers a few questions

Image
MARK JACKSON www.mrkjcksn.com Can you describe your practice in a few words? It's like a container for an expansive array of thoughts, conceptual and material experiments, conversations, speculations. What is your earliest memory of art? I have various memories from childhood making pictures for friends, but my earliest memory of art was different. I was 12 and we were staying with some family friends with older kids. One of them showed me a book on Francis Bacon and I was transfixed. I thnk that is where it all started for me. Have you shown your work in a non-white cube space before? Yes, I've shown in a rundown empty apartment in Manila in the Philippines, stripped of all its furnishings. It was called the Living Room Gallery. At the time I was collaborating and we made lamps from coloured bits of paper. The whole scene was very different to a white cube. There it was softly lit, it had a bowed wooden floor, scuffed walls, windows looking out onto the grey...
Read more

FACE TO FACE

Image
LUBOMIROV/ANGUS-HUGHES GALLERY 27TH JANUARY TO 2ND MARCH 2018 MARK JACKSON / SUE WILLIAMS A'COURT / SASHA BOWLES / WENDY SAUNDERS / CORINNA SPENCER  ‘’I have seen a face with a thousand countenances, and a face that was but a single countenance as if held in a mould…….. I know faces, because I look through the fabric of my own eye weaves, and behold the reality beneath.’’   Kahlil Gibran All of the artists in this exhibition are concerned with identity and perception through the emerging representations of the face, however none of them would refer to themselves as portrait painters. The paintings of Mark Jackson walk a tightrope between abstraction and figuration, his figures emerging from a tangle of ideas, processes and material transformations, that result in autonomous figures who remain mysteriously mute and totemic. When looking at an image of a face, real or not, we are psychologically influenced to experience emotions in response to their exp...
Read more

Artist Sasha Bowles answers a few questions

Image
SASHA BOWLES www.sashabowles.co.uk Can you describe your practice in a few words? My practice deals with illusion, interventions, metamorphosis and provosional structures. Starting with Old Masters my work is an evolving loop. I mischeiviously recontextualise reproductions of works to subvert and open up new interpretations and dialogues. Have you shown your work in a non-white cube space before? Yes many times, in a Crypt, a dilapidated delicatessan, a parking garage, a solicitors office and decaying houses. What does this sort of space bring to your work? It recontextualises the work. Does the environment in which you exhibit your work change how your work is percieved? Absolutely. The environment in which you exhibit becomes a part of the work and has to be taken into consideration in how you react to it and curate your work within it. To ignore the setting would be missing the point of using these sort of spaces. What was your first experience of Hackney? As a te...
Read more